Our tune this month is written by a most remarkable American William Howard Doane
Doane was born in Connecticut in 1832 to prosperous parents. His father was the head of Doane and Treat, cotton manufacturers. Doane showed impressive musical talent and by early adolescence he was playing the flute, violin and double bass fiddle.
Doane attended the Woodstock Academy and musical talents enabled him to serve as the school’s choir director. As well as music he was a talented engineer and successfully filed many patents for woodmaking machinery.
Doane was a prolific composer of Christian hymn tunes. He edited forty-three collections of hymns and composed an estimated 2,300 works, including hundreds of original hymns and hymn settings. He is best known as a longtime collaborator of Fanny Crosby, having written music for an estimated 1,500 of Crosby’s poems.
Doane generously supported Baptist churches and institutions. During his lifetime and through bequests in his will, Doane’s philanthropy included Denison University, Moody Bible Institute, Baptist churches and the YMCA.
This is a simple but confident tune without complex harmony and is a favourite now across many denominations of worship.
This played on our Envoy 35-F which is a very popular church instrument.
More About Jonathan Kingston’s Musical Background
Jonathan studied the organ with Professor Ian Tracey and Ian Wells of Liverpool’s Anglican Cathedral, home to one of the largest pipe organs in the world. He was appointed Organ Scholar, and subsequently Sub-Organist to Bradford Cathedral before securing positions as Assistant Director and Director of Music at two leading independent schools. He is currently Associate Director of Music at the Ordinariate Church of Our Lady of the Assumption, Piccadilly.
Jonathan’s Work With Viscount
Jonathan works with us as our very own inhouse organist – he covers several areas from sales, demonstrations, voicing of instruments and performing. His playing features on the current promotional DVD material for Viscount, and he would be very pleased to hear from any churches or individuals requiring an engaging and lively recitalist. If you would like to connect with Jonathan directly, please feel free to follow him on Twitter (@jonkingston) or by email on firstname.lastname@example.org.
More About the Organ Being Played In This Demonstration
Jonathan plays this piece on our very own Envoy 35-F A ‘Physical Modelling’ based instrument with 35 stops in a real wood veneer cabinet. It has a huge internal library allowing the user to create 4 totally individual voice pallets from classic English through Baroque and Romantic. It benefits from a full complement of divisional thumb pistons and additional toe pistons. This organ also has a full 32 note pedal. For more information have a look at its specifications here.
I have had a passion for church organs since the tender age of 12. I own and run Viscount Organs with a close attention to the detail that musicians appreciate; and a clear understanding of the benefits of digital technology and keeping to the traditional and emotional elements of organ playing.